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by Jim Van Buskirk
I had been looking forward to visiting the Museum of Jewish Heritage: A Living Memorial to the Holocaust since I read about it some months previously. As I approached this new museum with the cumbersome name in Manhattan's Battery Park, I noticed the unusual hexagonal-shaped structure with its six-tiered roof, and was reminded of the six points of the Star of David and the estimated six million who perished in the Holocaust. The first time I tried to enter, the museum was inexplicably closed, so a few days later I tried again.
I wound my way through the peculiarly circuitous security leading in to the museum. Upon entering the first hall I heard music and followed it to the rotunda, where images were being projected on to walls all around the large room. Color and black-and-white, contemporary and archival, the still and moving images of the Jewish experience, traditional and modern, flooded and flowed across the walls. I watched as a bridegroom smashed the glass under the chuppa, as a fiddler played in a Polish shtlel, as well-dressed children dance and romp, as an old woman wrapped herself in a prayer shawl. Suddenly I began weeping. What was it, I wondered, that was affecting me so?
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